Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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BROEDERLAM, Melchior
Annunciation and Visitation

ID: 40156

BROEDERLAM, Melchior Annunciation and Visitation
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BROEDERLAM, Melchior Annunciation and Visitation


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BROEDERLAM, Melchior

Netherlandish Gothic Era Painter, ca.1355-1411 South Netherlandish painter. Broederlam's family, long-established in Ypres, provided three aldermen for the city and sided with the French Counts of Flanders against the Flemish populace. After a training that may have included contact with Jan Boudolf in Bruges before 1368 or Paris after 1370 and an extended visit to Italy, the artist became, by 1381, an official painter of the reigning count, Louis de M?le (reg. 1346-84), painting leather chairs, pennons and banners. On 13 May 1384, directly after Louis's death, he was appointed a valet de chambre to the count's heir, Philip the Bold, Duke of Burgundy.  Related Paintings of BROEDERLAM, Melchior :. | Presentation in the Temple and Flight to Egypt f | Annunciation and Visitation | The Visitation (detail) fdg | The Flight into Egypt (detail) dsf | The Flight into Egypt (detail) fge |
Related Artists:
TOURNIER, Nicolas
French Baroque Era Painter, 1590-ca.1638
FRANCKEN, Ambrosius
Flemish painter (b. ca. 1544, Antwerpen, d. 1618, Antwerpen).
CERUTI, Giacomo
Italian Painter, 1698-1767 Italian painter. He was one of a group of artists working in Bergamo and Brescia who observed reality with an unusual freshness and directness. He painted religious subjects and portraits but was most distinguished as a painter of genre and low-life scenes. These included many pictures of beggars and vagabonds ( pitocchi), hence his nickname 'il Pitocchetto'. He married in Milan in 1717 but settled in Brescia in 1721. In 1723 he received a horse in payment for three altarpieces and four frescoes for the parish church of Rino di Sonico; they were mediocre works executed in an unadventurous blend of Lombard and Venetian traditions derived from contemporary Venetian painters working in Brescia. Ceruti's early portraits and genre scenes are less conventional and more intensely felt; in 1724 he signed and dated the strikingly naturalistic portrait of Giovanni Maria Fenaroli






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